Description |
English:?“Fleurs d’avril” (“April Flowers”), Pictorialist photograph by Constant Puyo
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Date | |
Source | Photograms of the Year, 1900 (https://archive.org/details/photogramsofyear00unse/page/132) |
Author | Constant Puyo |
Category Archives: Photography
Sunlight and Shadow by Constant Puyo
Description |
English:?“Sunlight and Shadow,” Pictorialist photograph by Constant Puyo
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Date | |
Source | In Nature’s Image: Chapters on Pictorial Photography (https://archive.org/details/innaturesimagech00adamuoft/page/n15) |
Author | Constant Puyo |
Photographer with Tripod Camera, 1889
Description |
English: A photographer focuses his camera in an illustration from 1889
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Date | |
Source | Outing, 1889 (https://archive.org/stream/outing15newy#page/220/mode/1up) |
Author | Anonymous illustrator |
Ball’s Great Daguerrian Gallery of the West
In Cincinnati, on Fourth Street, between Main and Walnut, in Wood’s large building. The great gallery, illustrated here, is twenty by forty feet. There are also two “operating rooms” in which the photographs are taken, one of them prepared especially for children and babies, and a workshop?in which the plates are prepared and developed. From Gleason’s Pictorial, 1854.
Francelia Billington behind the camera
Description |
English: Francelia Billington operating a movie camera in 1914
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Date | |
Source | Photoplay, December 1914 (https://archive.org/stream/PhotoplayMagazineDec.1914/Photoplay1214#page/n55/mode/1up) |
Author | Unknown photographer |
Photographer with Box Camera and Tripod, 1899, by George Willis Bardwell
Outing, 1899 (https://archive.org/stream/outing34newy#page/418/mode/1up)
Light from a Window, by G. Agié
From?Les Createurs de la mode, 1910.
Photographer in 1899
Outing, 1899 (https://archive.org/stream/outing34newy#page/324/mode/1up)
“The Photographer on the Loire,” by Adrien Marie
From La Vie moderne, 1880.
Kodak As You Go
From an advertisement in Photoplay, 1921. —The use of a trademark as a verb was fabulously successful in building brand identity, but trademark lawyers would never permit it today.?Folding Kodaks really are?remarkably portable. The camera folds into a nearly indestructible object about the size of a paperback book; it unfolds to take generously large roll-film negatives. It is thus not mere advertising hyperbole to suggest that even one of the larger folding Kodaks, like the one in the picture,?could be taken on the ski slopes. The shiny square in the upper right of the camera is the prism viewfinder; you look down into it to see a mirror-image view of your composition, which is why the photographer is holding the camera at chest level.